Before we conclude let us look at three important cyberculture critics and their core formulations.
Katherine N. Hayles notes that in the broad framework and discourse of cyberculture, “humans were to be seen primarily as information-processing entities who were essentially similar to intelligent machines.” She refers to the “the complex interplays between embodied forms of subjectivity and arguments for disembodiment throughout the cybernetic tradition.”
Donna Haraway in one of her most famous works, an essay entitled “The Manifesto for Cyborgs” (1985) argues:
“A cyborg is a cybernetic organism, a hybrid of machine and organism, a creature of social reality as well as a creature of fiction. Social reality is lived social relations, our most important political construction, a world-changing fiction...”
“The boundary between science fiction and social reality is an optical illusion…”
“By the late twentieth century, our time … we are all chimeras, theorized and fabricated hybrids of machine and organism: in short we are cyborgs. The cyborg is our ontology , it gives us our politics.”