Modules / Lectures

Sl.No Chapter Name English
1Course Overview - Part 1PDF unavailable
2Course Overview - Part 2PDF unavailable
3Cinema and Semiotics - Part 1PDF unavailable
4Cinema and Semiotics - Part 2PDF unavailable
5Cinema and Semiotics - Seven (1995) - Part 1PDF unavailable
6Cinema and Semotics - Seven (1995) - Part 2PDF unavailable
7Plot in Cinema - Part 1PDF unavailable
8Plot in Cinema - Part 2PDF unavailable
9Plot in CInema - 7 primary types of plotPDF unavailable
10Plot in Cinema - Conflict as a Plot ElementPDF unavailable
11Character as a Plot Element - Part 1PDF unavailable
12Character as a Plot Element - Part 2PDF unavailable
13Editing in Cinema - (Montage, Jumpcut) - Part 1PDF unavailable
14Editing in Cinema - (Montage, Jumpcut) - Part 2PDF unavailable
15Realism in Cinema - Part 1PDF unavailable
16Realism in Cinema - Part 2PDF unavailable
17Colour: Theory and Practice - Part 1PDF unavailable
18Colour: Theory and Practice - Part 2PDF unavailable
19Intertextuality - Casablanca (1942) - Part 1PDF unavailable
20Intertextuality - Casablanca (1942) - Part 2PDF unavailable
21Intertextuality - Blade Runner (1982) - Part 1PDF unavailable
22Intertextuality - Blade Runner (1982) - Part 2PDF unavailable
23Intertextuality - The Matrix (1999) - Part 1PDF unavailable
24Intertextuality - The Matrix (1999) - Part 2PDF unavailable
25Cinema and Modernism - Part 1 PDF unavailable
26Cinema and Modernism - Part 2PDF unavailable
27Cinema and Modernism - Part 3PDF unavailable
28Guest Lecture by Sudhish Kamath (Film Critic and Film Maker)PDF unavailable
29The French Masters - Jean Renoir - Part 1PDF unavailable
30The French Masters - Jean Renoir - Part 2PDF unavailable
31The French Masters - Robert Bresson - Part 1PDF unavailable
32The French Masters - Robert Bresson - Part 2PDF unavailable
33The French Masters - Robert Bresson - Part 3PDF unavailable
34What is a Canon?PDF unavailable
35Canonical Text - Citizen Kane (1941) - Part 1PDF unavailable
36Canonical Text - Citizen Kane (1941) - Part 2PDF unavailable
37Canonical Text - The Godfather (1972/1974) Part 1PDF unavailable
38Canonical Text - The Godfather (1972/1974) Part 2PDF unavailable
39Canonical Text - The Godfather (1972/1974) Part 3PDF unavailable
40Canonical Text - The Godfather (1972/1974) Part 4PDF unavailable
41The Academy Awards Case Study - My Left Foot (1989) and Daniel Day-Lewis Method Acting - Part 1PDF unavailable
42The Academy Awards Case Study - My Left Foot (1989) and Daniel Day-Lewis Method Acting - Part 2PDF unavailable
43Classic Hollywood - Hay’s Code, Studio Years, Major Filmmakers - Part 1PDF unavailable
44Classic Hollywood - Hay’s Code, Studio Years, Major Filmmakers - Part 2PDF unavailable
45Classic Hollywood - Major Filmmakers, Melodrama - Part 1PDF unavailable
46Classic Hollywood - Major Filmmakers, Melodrama - Part 2PDF unavailable
47Classic Hollywood - Major Filmmakers, Melodrama - Part 3PDF unavailable
48Classic Hollywood - Major Filmmakers, Melodrama - Part 4PDF unavailable
49German Expressionism, Film Noir Case Study: Laura (1944) and Neo Noir Case Study: Taxi Driver (1976) - Part 1PDF unavailable
50German Expressionism, Film Noir Case Study: Laura (1944) and Neo Noir Case Study: Taxi Driver (1976) - Part 2PDF unavailable
51Stars as Icons, Case Study of the Stardom of James Dean and Fandoms - Part 1PDF unavailable
52Stars as Icons, Case Study of the Stardom of James Dean and Fandoms - Part 2PDF unavailable
53Cinema and the Counterculture Movement - Beat Generation, Woodstock Nation, Easy Rider (1968) - Part 1PDF unavailable
54Cinema and the Counterculture Movement - Beat Generation, Woodstock Nation, Easy Rider (1968) - Part 2PDF unavailable
55Italian Cinema - Part 1PDF unavailable
56Italian Cinema - Part 2PDF unavailable
57Japanese Cinema - Part 1PDF unavailable
58Japanese Cinema - Part 2PDF unavailable
59Auteur Theory in the USA - Part 1PDF unavailable
60Auteur Theory in the USA - Part 2PDF unavailable
61Auteur Theory in the USA - Part 3PDF unavailable
62Auteur Theory in the USA - Part 4PDF unavailable
63New Hollywood - Part 1PDF unavailable
64New Hollywood - Part 2PDF unavailable
65New Hollywood - Part 3PDF unavailable
66New Hollywood - Part 4PDF unavailable
67New Hollywood - Part 5PDF unavailable
68New Hollywood - Part 6PDF unavailable
69New Hollywood - Part 7PDF unavailable
70New Hollywood - Part 8PDF unavailable
71Cinema and Genres - Part 1PDF unavailable
72Cinema and Genres - Part 2PDF unavailable
73Cinema and Genres - Part 3PDF unavailable
74Cinema and Genres - Part 4PDF unavailable
75Postmodernism and Cinema - Part 1PDF unavailable
76Postmodernism and Cinema - Part 2PDF unavailable
77Postmodernism and Cinema - Part 3PDF unavailable
78Postmodernism and Cinema - Part 4PDF unavailable
79The Western - Part 1PDF unavailable
80The Western - Part 2PDF unavailable

Virtual Conference on Cinema at International Film Festivals : 7-11 December 2021



Dear Candidates,

IIT Madras and Centre for Performance Research and Cultural Studies in South Asia(C-PRACSIS) are conducting a Virtual conference on "Cinema at International Film Festivals" from 7-11 December 2021.

For registration:
https://sites.google.com/view/vitual-conference-2021/home

Click here for brochure https://drive.google.com/file/d/197AbhYrTKcEHuMEkAM6NS80VcI5ngbAV/view?usp=sharing

-NPTEL Team



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1EnglishNot Available
2BengaliNot Available
3GujaratiNot Available
4HindiNot Available
5KannadaNot Available
6MalayalamNot Available
7MarathiNot Available
8TamilNot Available
9TeluguNot Available