| Sl.No | Chapter Name | MP4 Download |
|---|---|---|
| 1 | The body of music | Download |
| 2 | Music everywhere – finding the classical | Download |
| 3 | Classical Music – Art Music | Download |
| 4 | Lectre 4 Music through melody Music through harmony | Download |
| 5 | Lec 5 Musical Material – A Hard Look | Download |
| 6 | Musical material Mo2 | Download |
| 7 | Carnatic Music as Raga Music | Download |
| 8 | Understanding Raga - Part I | Download |
| 9 | Understanding Raga - Part II (Raga and Swara) | Download |
| 10 | Understanding raga 3 Ornamentation& Phraseology | Download |
| 11 | "Swara" in the Sanskrit Textual Tradition | Download |
| 12 | "Sruti" in Sanskrit Textual Tradition | Download |
| 13 | Lecture 13 Tambura | Download |
| 14 | Gamaka I | Download |
| 15 | Gamaka II | Download |
| 16 | Gamaka III | Download |
| 17 | Gamakas IV | Download |
| 18 | Raaga & Phraseol | Download |
| 19 | Raga - some basic expectations | Download |
| 20 | A string of Ragas and a teaser | Download |
| 21 | Raga in the textual tradition | Download |
| 22 | Classification of Ragas - I | Download |
| 23 | Classification of ragas - II | Download |
| 24 | Mela system of classifying raga-s | Download |
| 25 | Generating the 72 mela-s | Download |
| 26 | Application of 72 mela | Download |
| 27 | Katapayadi naming tha 72 mela | Download |
| 28 | Vivadi – I | Download |
| 29 | Vivadi – II | Download |
| 30 | Raga - Circles and Triangles | Download |
| 31 | Laya: temporal discipline in music. | Download |
| 32 | Tala – an Introduction to the Concept | Download |
| 33 | More on Tala and laya | Download |
| 34 | Aspects of Tala - I | Download |
| 35 | Aspects of tala II | Download |
| 36 | Aspects of tala III | Download |
| 37 | Aspects of tala IV | Download |
| 38 | Composition in Carnatic Music | Download |
| 39 | Varnam an Introduction | Download |
| 40 | Varnam and laya intricacies | Download |
| 41 | Kriti – the premier compositional form in Carnatic music | Download |
| 42 | Kriti – some basic features | Download |
| 43 | Precursors to the Kriti | Download |
| 44 | Bhakti and Carnatic Music: Metaphor, World view and Yearning in Carnatic compositions. | Download |
| 45 | Tanjavur and the Carnatic Trinity | Download |
| 46 | Tyagaraja, the Vaggeyakara | Download |
| 47 | Tyagaraja and His Many Moods -I | Download |
| 48 | Tyagaraja and His Many Moods – II | Download |
| 49 | Muthuswami Dikshitar – an overview | Download |
| 50 | Muthuswami Dikshitar – the Sanskirt Scholar and Advaitin | Download |
| 51 | Muthuswami Dikshitar – Some Other Aspects of his Work. | Download |
| 52 | Syama Sastri | Download |
| 53 | Tamil Composers before the trinity | Download |
| 54 | Post trinity Composers | Download |
| 55 | Swathi Tirunal - the Versatile Royal Composer | Download |
| 56 | The Romance of Padam and Javali | Download |
| 57 | Tillana | Download |
| 58 | Improvisation in Carnatic Musci ALAPANA | Download |
| 59 | Lec 59 - ALAPANA : Style and Aesthetics | Download |
| 60 | Neraval and Swaraprastara | Download |
| 61 | TANAM | Download |
| 62 | An expostion of Balagopala,a kriti in the rega Bhairavi with alapana | Download |
| 63 | Accompaniment in Carnatic Music - The Violin | Download |
| 64 | Percussive Accompaniment - the Mridangam | Download |
| 65 | Subsidiary Accompaniment - Interaction Among Accompanists | Download |
| 66 | Lec 66 Perscussion MRIDANGAM | Download |
| 67 | Lec 67 Percussion KANJIRA | Download |
| 68 | Lec 68 Percussion Ghatam | Download |
| 69 | Lec 69 Percussion Morsing | Download |
| 70 | Lec 70 Percussion Korvai and Thani avartanam | Download |
| 71 | Lec 71 The Typical carnatic Concert And Ragam Tanam Pallavi RTP | Download |
| 72 | 18 | Performing arts, drama | Lakshmi Sreeram | 17 April 2016 | Download |
| 73 | 19 | Dance & music | Lakshmi Sreeram | 18 April 2016 | Download |
| 74 | Raga-Concept and Presentation in Carnatic and Hindustani Music - by Dr. Lakshmi Sreeram | Download |
| Sl.No | Chapter Name | English |
|---|---|---|
| 1 | The body of music | Download Verified |
| 2 | Music everywhere – finding the classical | Download Verified |
| 3 | Classical Music – Art Music | Download Verified |
| 4 | Lectre 4 Music through melody Music through harmony | Download Verified |
| 5 | Lec 5 Musical Material – A Hard Look | Download Verified |
| 6 | Musical material Mo2 | Download Verified |
| 7 | Carnatic Music as Raga Music | Download Verified |
| 8 | Understanding Raga - Part I | Download Verified |
| 9 | Understanding Raga - Part II (Raga and Swara) | Download Verified |
| 10 | Understanding raga 3 Ornamentation& Phraseology | Download Verified |
| 11 | "Swara" in the Sanskrit Textual Tradition | Download Verified |
| 12 | "Sruti" in Sanskrit Textual Tradition | Download Verified |
| 13 | Lecture 13 Tambura | Download Verified |
| 14 | Gamaka I | Download Verified |
| 15 | Gamaka II | Download Verified |
| 16 | Gamaka III | Download Verified |
| 17 | Gamakas IV | Download Verified |
| 18 | Raaga & Phraseol | Download Verified |
| 19 | Raga - some basic expectations | Download Verified |
| 20 | A string of Ragas and a teaser | Download Verified |
| 21 | Raga in the textual tradition | Download Verified |
| 22 | Classification of Ragas - I | Download Verified |
| 23 | Classification of ragas - II | Download Verified |
| 24 | Mela system of classifying raga-s | Download Verified |
| 25 | Generating the 72 mela-s | Download Verified |
| 26 | Application of 72 mela | Download Verified |
| 27 | Katapayadi naming tha 72 mela | Download Verified |
| 28 | Vivadi – I | Download Verified |
| 29 | Vivadi – II | Download Verified |
| 30 | Raga - Circles and Triangles | Download Verified |
| 31 | Laya: temporal discipline in music. | Download Verified |
| 32 | Tala – an Introduction to the Concept | Download Verified |
| 33 | More on Tala and laya | Download Verified |
| 34 | Aspects of Tala - I | Download Verified |
| 35 | Aspects of tala II | Download Verified |
| 36 | Aspects of tala III | Download Verified |
| 37 | Aspects of tala IV | Download Verified |
| 38 | Composition in Carnatic Music | Download Verified |
| 39 | Varnam an Introduction | Download Verified |
| 40 | Varnam and laya intricacies | Download Verified |
| 41 | Kriti – the premier compositional form in Carnatic music | Download Verified |
| 42 | Kriti – some basic features | Download Verified |
| 43 | Precursors to the Kriti | Download Verified |
| 44 | Bhakti and Carnatic Music: Metaphor, World view and Yearning in Carnatic compositions. | Download Verified |
| 45 | Tanjavur and the Carnatic Trinity | Download Verified |
| 46 | Tyagaraja, the Vaggeyakara | Download Verified |
| 47 | Tyagaraja and His Many Moods -I | Download Verified |
| 48 | Tyagaraja and His Many Moods – II | Download Verified |
| 49 | Muthuswami Dikshitar – an overview | Download Verified |
| 50 | Muthuswami Dikshitar – the Sanskirt Scholar and Advaitin | Download Verified |
| 51 | Muthuswami Dikshitar – Some Other Aspects of his Work. | Download Verified |
| 52 | Syama Sastri | Download Verified |
| 53 | Tamil Composers before the trinity | Download Verified |
| 54 | Post trinity Composers | Download Verified |
| 55 | Swathi Tirunal - the Versatile Royal Composer | Download Verified |
| 56 | The Romance of Padam and Javali | Download Verified |
| 57 | Tillana | Download Verified |
| 58 | Improvisation in Carnatic Musci ALAPANA | Download Verified |
| 59 | Lec 59 - ALAPANA : Style and Aesthetics | Download Verified |
| 60 | Neraval and Swaraprastara | Download Verified |
| 61 | TANAM | Download Verified |
| 62 | An expostion of Balagopala,a kriti in the rega Bhairavi with alapana | Download Verified |
| 63 | Accompaniment in Carnatic Music - The Violin | Download Verified |
| 64 | Percussive Accompaniment - the Mridangam | Download Verified |
| 65 | Subsidiary Accompaniment - Interaction Among Accompanists | Download Verified |
| 66 | Lec 66 Perscussion MRIDANGAM | Download Verified |
| 67 | Lec 67 Percussion KANJIRA | Download Verified |
| 68 | Lec 68 Percussion Ghatam | Download Verified |
| 69 | Lec 69 Percussion Morsing | Download Verified |
| 70 | Lec 70 Percussion Korvai and Thani avartanam | Download Verified |
| 71 | Lec 71 The Typical carnatic Concert And Ragam Tanam Pallavi RTP | Download Verified |
| 72 | 18 | Performing arts, drama | Lakshmi Sreeram | 17 April 2016 | PDF unavailable |
| 73 | 19 | Dance & music | Lakshmi Sreeram | 18 April 2016 | PDF unavailable |
| 74 | Raga-Concept and Presentation in Carnatic and Hindustani Music - by Dr. Lakshmi Sreeram | PDF unavailable |
| Sl.No | Language | Book link |
|---|---|---|
| 1 | English | Download |
| 2 | Bengali | Not Available |
| 3 | Gujarati | Not Available |
| 4 | Hindi | Not Available |
| 5 | Kannada | Not Available |
| 6 | Malayalam | Not Available |
| 7 | Marathi | Not Available |
| 8 | Tamil | Not Available |
| 9 | Telugu | Not Available |