Modules / Lectures


Sl.No Chapter Name MP4 Download
1Lec 01 - The Body of MusicDownload
2Lec 02 - Music everywhere finding the classicalDownload
3Lec 03 - Classical Music Art MusicDownload
4Lec 04 - Music through Melody & Music through HarmonyDownload
5Lec 05 - Musical Material A Hard LookDownload
6Lec 06 - Musical material Mo2Download
7Lec 07 - Carnatic Music as Raga MusicDownload
8Lec 08 - Understanding Raga - Part IDownload
9Lec 09 - Understanding Raga - Part II (Raga and Swara)Download
10Lec 10 - Understanding Raga - Part III A Glimpse into Gamaka (Ornamentation) and PhraseologyDownload
11Lec 11 - Swara in the Sanskrit Textual TraditionDownload
12Lec 12 - Sruti in Sanskrit Textual traditionDownload
13Lec 13 - TamburaDownload
14Lec 14 - Gamaka I Download
15Lec 15 - Gamaka II Download
16Lec 16 - Gamaka III Download
17Lec 17 - Gamakas IV Download
18Lec 18 - Raga and Phraseology Download
19Lec 19 - Raga - some basic expectationsDownload
20Lec 20 - A string of Ragas and a teaserDownload
21Lec 21 - Raga in the textual traditionDownload
22Lec 22 - Classification of Ragas IDownload
23Lec 23 - Classification of Ragas IIDownload
24Lec 24 - Mela system of classifying raga-sDownload
25Lec 25 - Generating the 72 mela-sDownload
26Lec 26 - Application of 72 melaDownload
27Lec 27 - Katapayadi Naming the 72 melasDownload
28Lec 28 - Vivadi IDownload
29Lec 29 - Vivadi IIDownload
30Lec 30 - Raga - Circles and TrianglesDownload
31Lec 31 - Laya: temporal discipline in music.Download
32Lec 32 - Tala an Introduction to the ConceptDownload
33Lec 33 - More on Tala and layaDownload
34Lec 34 - Aspects of Tala - IDownload
35Lec 35 - Aspects of Tala - IIDownload
36Lec 36 - Aspects of Tala - IIIDownload
37Lec 37 - Aspects of IVDownload
38Lec 38 - Composition in Carnatic MusicDownload
39Lec 39 - an IntroductionDownload
40Lec 40 - Varnam and laya intricaciesDownload
41Lec 41 - Kriti the premier compositional form in Carnatic musicDownload
42Lec 42 -Kriti some basic featuresDownload
43Lec 43 - Precursors to the KritiDownload
44Lec 44 - Bhakti and Carnatic Music: Metaphor, World view and Yearning in Carnatic compositions.Download
45Lec 45 - Tanjavur and the Carnatic TrinityDownload
46Lec 46 - Tyagaraja, the VaggeyakaraDownload
47Lec 47 - Tyagaraja and His Many Moods -IDownload
48Lec 48 - Tyagaraja and His Many Moods IIDownload
49Lec 49 - Muthuswami Dikshitar an overviewDownload
50Lec 50 - Muthuswami Dikshitar the Sanskirt Scholar and AdvaitinDownload
51Lec 51 - Muthuswami Dikshitar Some Other Aspects of his Work.Download
52Lec 52 - Syama SastriDownload
53Lec 53 - Tamil Composers before the trinityDownload
54Lec 54 - Post trinity ComposersDownload
55Lec 55 - Swathi Tirunal - the Versatile Royal ComposerDownload
56Lec 56 - The Romance of Padam and JavaliDownload
57Lec 57 - TillanaDownload
58Lec 58 - Improvisation in Carnatic Music - AlapanaDownload
59Lec 59 - ALAPANA : Style and AestheticsDownload
60Lec 60 - Neraval and SwaraprastaraDownload
61Lec 61 - TANAMDownload
62Lec 62 - An expostion of Balagopala,a kriti in the rega Bhairavi with alapana, neraval and swaraprastara followed by tani AvartanamDownload
63Lec 63 - Accompaniment in Carnatic Music - The ViolinDownload
64Lec 64 - Percussive Accompaniment - the MridangamDownload
65Lec 65 -Subsidiary Accompaniment - Interaction Among AccompanistsDownload
66Lec 66 - Perscussion MRIDANGAMDownload
67Lec 67 - Percussion KANJIRADownload
68Lec 68 - Percussion GhatamDownload
69Lec 69 - Percussion MorsingDownload
70Lec 70 - Percussion Korvai and Thani avartanamDownload
71Lec 71 - The Typical carnatic Concert And Ragam Tanam Pallavi RTPDownload
72Performing arts, dramaDownload
73Dance & musicDownload
74Raga-Concept and Presentation in Carnatic and Hindustani MusicDownload

Sl.No Chapter Name English
1Lec 01 - The Body of MusicDownload
Verified
2Lec 02 - Music everywhere finding the classicalDownload
Verified
3Lec 03 - Classical Music Art MusicDownload
Verified
4Lec 04 - Music through Melody & Music through HarmonyDownload
Verified
5Lec 05 - Musical Material A Hard LookDownload
Verified
6Lec 06 - Musical material Mo2Download
Verified
7Lec 07 - Carnatic Music as Raga MusicDownload
Verified
8Lec 08 - Understanding Raga - Part IDownload
Verified
9Lec 09 - Understanding Raga - Part II (Raga and Swara)Download
Verified
10Lec 10 - Understanding Raga - Part III A Glimpse into Gamaka (Ornamentation) and PhraseologyDownload
Verified
11Lec 11 - Swara in the Sanskrit Textual TraditionDownload
Verified
12Lec 12 - Sruti in Sanskrit Textual traditionDownload
Verified
13Lec 13 - TamburaDownload
Verified
14Lec 14 - Gamaka I Download
Verified
15Lec 15 - Gamaka II Download
Verified
16Lec 16 - Gamaka III Download
Verified
17Lec 17 - Gamakas IV Download
Verified
18Lec 18 - Raga and Phraseology Download
Verified
19Lec 19 - Raga - some basic expectationsDownload
Verified
20Lec 20 - A string of Ragas and a teaserDownload
Verified
21Lec 21 - Raga in the textual traditionDownload
Verified
22Lec 22 - Classification of Ragas IDownload
Verified
23Lec 23 - Classification of Ragas IIDownload
Verified
24Lec 24 - Mela system of classifying raga-sDownload
Verified
25Lec 25 - Generating the 72 mela-sDownload
Verified
26Lec 26 - Application of 72 melaDownload
Verified
27Lec 27 - Katapayadi Naming the 72 melasDownload
Verified
28Lec 28 - Vivadi IDownload
Verified
29Lec 29 - Vivadi IIDownload
Verified
30Lec 30 - Raga - Circles and TrianglesDownload
Verified
31Lec 31 - Laya: temporal discipline in music.Download
Verified
32Lec 32 - Tala an Introduction to the ConceptDownload
Verified
33Lec 33 - More on Tala and layaDownload
Verified
34Lec 34 - Aspects of Tala - IDownload
Verified
35Lec 35 - Aspects of Tala - IIDownload
Verified
36Lec 36 - Aspects of Tala - IIIDownload
Verified
37Lec 37 - Aspects of IVDownload
Verified
38Lec 38 - Composition in Carnatic MusicDownload
Verified
39Lec 39 - an IntroductionDownload
Verified
40Lec 40 - Varnam and laya intricaciesDownload
Verified
41Lec 41 - Kriti the premier compositional form in Carnatic musicDownload
Verified
42Lec 42 -Kriti some basic featuresDownload
Verified
43Lec 43 - Precursors to the KritiDownload
Verified
44Lec 44 - Bhakti and Carnatic Music: Metaphor, World view and Yearning in Carnatic compositions.Download
Verified
45Lec 45 - Tanjavur and the Carnatic TrinityDownload
Verified
46Lec 46 - Tyagaraja, the VaggeyakaraDownload
Verified
47Lec 47 - Tyagaraja and His Many Moods -IDownload
Verified
48Lec 48 - Tyagaraja and His Many Moods IIDownload
Verified
49Lec 49 - Muthuswami Dikshitar an overviewDownload
Verified
50Lec 50 - Muthuswami Dikshitar the Sanskirt Scholar and AdvaitinDownload
Verified
51Lec 51 - Muthuswami Dikshitar Some Other Aspects of his Work.Download
Verified
52Lec 52 - Syama SastriDownload
Verified
53Lec 53 - Tamil Composers before the trinityDownload
Verified
54Lec 54 - Post trinity ComposersDownload
Verified
55Lec 55 - Swathi Tirunal - the Versatile Royal ComposerDownload
Verified
56Lec 56 - The Romance of Padam and JavaliDownload
Verified
57Lec 57 - TillanaDownload
Verified
58Lec 58 - Improvisation in Carnatic Music - AlapanaDownload
Verified
59Lec 59 - ALAPANA : Style and AestheticsDownload
Verified
60Lec 60 - Neraval and SwaraprastaraDownload
Verified
61Lec 61 - TANAMDownload
Verified
62Lec 62 - An expostion of Balagopala,a kriti in the rega Bhairavi with alapana, neraval and swaraprastara followed by tani AvartanamDownload
Verified
63Lec 63 - Accompaniment in Carnatic Music - The ViolinDownload
Verified
64Lec 64 - Percussive Accompaniment - the MridangamDownload
Verified
65Lec 65 -Subsidiary Accompaniment - Interaction Among AccompanistsDownload
Verified
66Lec 66 - Perscussion MRIDANGAMDownload
Verified
67Lec 67 - Percussion KANJIRADownload
Verified
68Lec 68 - Percussion GhatamDownload
Verified
69Lec 69 - Percussion MorsingDownload
Verified
70Lec 70 - Percussion Korvai and Thani avartanamDownload
Verified
71Lec 71 - The Typical carnatic Concert And Ragam Tanam Pallavi RTPDownload
Verified
72Performing arts, dramaPDF unavailable
73Dance & musicPDF unavailable
74Raga-Concept and Presentation in Carnatic and Hindustani MusicPDF unavailable


Sl.No Language Book link
1EnglishDownload
2BengaliNot Available
3GujaratiNot Available
4HindiNot Available
5KannadaNot Available
6MalayalamNot Available
7MarathiNot Available
8TamilNot Available
9TeluguNot Available